@image 1 as creator, @image 2 as exact product.
Keep the product identical to @image 2 — same clear glass jar, matte black lid, dense red solids under
amber oil — in every frame.
CRITICAL: never show her eating. No food enters her mouth on camera, no biting, no chewing. Her lips stay
closed in every shot of her face. All food proof is filmed on the spoon, in the jar, or on the plate —
never in the mouth. The camera is propped and locked off in every beat; beats 3 and 4 use an identical
camera position to each other.
0:00–0:03 — Locked-off static waist-up shot at the kitchen counter. Straight down the lens: "Four dollars
or fourteen. Same photo. The difference is one thing."
0:03–0:06 — Hard cut, same locked-off framing. She reaches off-frame and brings the jar in at chest
height, tilting it so the layer of solids under the oil reads against the light. "Solids to oil. You can
see it before you taste it."
0:06–0:09 — Hard cut. Locked-off static macro over an open jar, lit hard from behind so the oil glows. A
steel spoon is lowered in, lifted and tilted — thin amber oil runs off freely, only a scatter of flakes
left behind. Hold. No dialogue. Quiet kitchen tone only.
0:09–0:12 — Hard cut, identical camera position and identical backlight, the second jar. The same spoon
lowered, lifted and tilted — it comes up heavy with coarse chilli, fried garlic and sesame, oil draining
slowly off a dense load that holds its shape. Hard cut, same framing, the spoon dragged across a fried
egg leaving a thick textured trail. No dialogue.
0:12–0:15 — Hard cut back to the locked-off waist-up shot framed identically to the opening beat, the
plated egg in front of her, lips closed. Level, direct: "It isn't hot. It's texture. Want burn? Skip it."
Style: authentic talking-head UGC, propped locked-off camera throughout, hard cuts only, no camera
movement, warm afternoon window light with strong backlight on all food macros, real ambient audio. Beat
5 must match the camera position and framing of beat 1 exactly. No on-screen text, no captions, no
subtitles, no music.