@image 1 as model, @image 2 as exact product.
Keep the product identical to @image 2 — same matte bone white body, brushed steel lever, flat top
button, clear carbonating bottle — in every frame.
CRITICAL: no glass or bottle is ever passed between them. Two glasses exist from the start, one each.
Never show them clinking or touching glasses. Only one person speaks per beat; the other reacts
without dialogue. Keep both faces at a similar distance from the lens whenever both are in frame.
0:00–0:03 — Handheld two-shot at the kitchen counter, both at equal distance from the lens. She
gestures at a recycling bin overflowing with crushed cans, then lets her hand drop. She speaks, the
other winces without speaking: "We worked out we were getting through about four hundred cans a year."
0:03–0:06 — Hard cut to a close single of her partner at the machine, the first woman's shoulder just
in frame out of focus. She screws the clear bottle into the lever arm and rests a thumb on the top
button. She speaks: "You screw it in and press it. Three seconds."
0:06–0:09 — Hard cut. Locked-off static macro on the bottle, lit hard from behind so the water glows.
The button presses and a dense column of bubbles surges up through the water from the base, filling
the bottle. Hold until it settles. Hard cut to a locked-off macro of two glasses of ice side by side,
backlit, water poured into both in turn, fizz climbing over the ice. Two hands enter from opposite
sides and set both glasses down on the counter simultaneously — no touching, no passing. No faces. No
dialogue. Only the hiss of gas, the crack of ice and quiet kitchen tone.
0:09–0:12 — Jump cut to the two-shot framed identically to the opening beat. The recycling bin behind
them is empty. Each holds her own glass. Her partner speaks, she just tips her head at the bin: "That
bin used to be full by Wednesday."
0:12–0:15 — Handheld two-shot, slightly tighter, both faces equally sharp, the machine fully in frame
on the counter in front of them. She speaks: "It's linked below. Do the maths on your own cans first."
Style: authentic couple UGC, handheld with visible micro-shake for the talking beats, locked-off
static backlit macros for the proof, hard cuts, warm afternoon window light with overhead fill, real
ambient audio only. Beat 4 must match the camera position and framing of beat 1 exactly. No on-screen
text, no captions, no subtitles, no music.
